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 Madison Joy Photography
 Madison Joy Photography
About
Theatre
Contact
Book W/ Madison
 Madison Joy Photography
 Madison Joy Photography
About
Theatre
Contact
Book W/ Madison
About
Theatre
Contact
Book W/ Madison
1. Juliet and friends, Canon T7 (24mm) 1920 × 1280, October 7, 2022 - (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in b

1. Juliet and friends, Canon T7 (24mm) 1920 × 1280, October 7, 2022 - (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements, porches, and living rooms. I was drawn to the chaotic intimacy of these DIY spaces. The 2021 DIY scene brought people together and made creativity feel urgent and alive. At the height of my own creative drive, I wanted to capture that energy in images. My digital gallery, DIY BELLINGHAM (2021–2022), documents a post-pandemic scene where these spaces became essential. We were reclaiming our creative autonomy. Through this gallery, I aim to preserve the raw energy, independence, and joy that defined this moment in Bellingham’s music scene.

2. Foxy entrance, Canon T7 (24mm) 1920 × 1280, October 7, 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basemen

2. Foxy entrance, Canon T7 (24mm) 1920 × 1280, October 7, 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements, porches, and living rooms. I was drawn to the chaotic intimacy of these DIY spaces. The 2021 DIY scene brought people together and made creativity feel urgent and alive. At the height of my own creative drive, I wanted to capture that energy in images. My digital gallery, DIY BELLINGHAM (2021–2022), documents a post-pandemic scene where these spaces became essential. We were reclaiming our creative autonomy. Through this gallery, I aim to preserve the raw energy, independence, and joy that defined this moment in Bellingham’s music scene.

The girl in the kitchen, Canon T7 (24mm) 1920 × 1280, October 8 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in b

The girl in the kitchen, Canon T7 (24mm) 1920 × 1280, October 8 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements, porches, and living rooms. I was drawn to the chaotic intimacy of these DIY spaces. The 2021 DIY scene brought people together and made creativity feel urgent and alive. At the height of my own creative drive, I wanted to capture that energy in images. My digital gallery, DIY BELLINGHAM (2021–2022), documents a post-pandemic scene where these spaces became essential. We were reclaiming our creative autonomy. Through this gallery, I aim to preserve the raw energy, independence, and joy that defined this moment in Bellingham’s music scene.

3. Soundcheck, Canon T7 (24mm) 1920 × 1280, October 7, 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements,

3. Soundcheck, Canon T7 (24mm) 1920 × 1280, October 7, 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements, porches, and living rooms. I was drawn to the chaotic intimacy of these DIY spaces. The 2021 DIY scene brought people together and made creativity feel urgent and alive. At the height of my own creative drive, I wanted to capture that energy in images. My digital gallery, DIY BELLINGHAM (2021–2022), documents a post-pandemic scene where these spaces became essential. We were reclaiming our creative autonomy. Through this gallery, I aim to preserve the raw energy, independence, and joy that defined this moment in Bellingham’s music scene.

5. Taylor, Canon T7 (24mm) 1920 × 1280, October 8, 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements, por

5. Taylor, Canon T7 (24mm) 1920 × 1280, October 8, 2022, (Images 1-5) At the start of my music photography career, I was shooting house shows in Bellingham, WA. Sweaty college houses occupied by musicians who played their hearts out in basements, porches, and living rooms. I was drawn to the chaotic intimacy of these DIY spaces. The 2021 DIY scene brought people together and made creativity feel urgent and alive. At the height of my own creative drive, I wanted to capture that energy in images. My digital gallery, DIY BELLINGHAM (2021–2022), documents a post-pandemic scene where these spaces became essential. We were reclaiming our creative autonomy. Through this gallery, I aim to preserve the raw energy, independence, and joy that defined this moment in Bellingham’s music scene.

6. Nature chooses, Canon EOS R10 (24-70mm), September 21, 2024

6. Nature chooses, Canon EOS R10 (24-70mm), September 21, 2024

7. The rage of innocence, Canon EOS R10 (24-70mm), September 21, 2024

7. The rage of innocence, Canon EOS R10 (24-70mm), September 21, 2024

8. Collectiva, Canon EOS R10 (24-70mm), September 21, 2024

8. Collectiva, Canon EOS R10 (24-70mm), September 21, 2024

9. Agency, Canon EOS R10 (24-70mm), September 21, 2024

9. Agency, Canon EOS R10 (24-70mm), September 21, 2024

10. The high priestess, Canon EOS R10 (24-70mm), September 21, 2024

10. The high priestess, Canon EOS R10 (24-70mm), September 21, 2024

11. The art. of infidelity, Canon EOS R10 (24-70mm),

11. The art. of infidelity, Canon EOS R10 (24-70mm),

12. Spineless, Canon EOS R10 (24-70mm),

12. Spineless, Canon EOS R10 (24-70mm),

13. Unplaced blame, Canon EOS R10 (24-70mm),

13. Unplaced blame, Canon EOS R10 (24-70mm),

14. Ave Maria, Canon EOS R10 (24-70mm),

14. Ave Maria, Canon EOS R10 (24-70mm),

15. Guts, Canon EOS R10 (24-70mm),

15. Guts, Canon EOS R10 (24-70mm),

16. An enemy of the people, Canon EOS R10 (24-70mm),

16. An enemy of the people, Canon EOS R10 (24-70mm),

17. Romeo and The Nurse, Canon EOS R10 (24-70mm),

17. Romeo and The Nurse, Canon EOS R10 (24-70mm),

18. Warm up, Canon EOS R10 (24-70mm),

18. Warm up, Canon EOS R10 (24-70mm),

19. The storyteller, Canon EOS R10 (24-70mm),

19. The storyteller, Canon EOS R10 (24-70mm),

20. The rehearsal, Canon EOS R10 (24-70mm),

20. The rehearsal, Canon EOS R10 (24-70mm),

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